Tuesday, February 25, 2025

Oshawa Blues Rocker Stefan Palicki Delivers Gritty Power in New Single "Blue-Eyed Devil"




Sometimes, what people say to your face and what they say behind your back are more often than not two totally different things. Only true friends or loved ones will be direct. It's the sentiment that Oshawa, Ontario blues rock guitarist Stefan Palicki used as inspiration for the meaty blues rock diamond and his latest single "Blue Eyed Devil." Palicki says the song's title originated from a phrase his late grandfather used to say regarding people being somewhat two-faced.
 
"The lyrics were written drawing upon an expression Stefan's grandfather had about this common thing that people do and the kind of personal experiences we all have had," the artist says. "He would say, 'If they're talking badly about me, they're leaving some other poor soul alone.' "This is paraphrasing as grandpa would use much more colorful language."
 
Although Palicki's grandfather passed in 2021 before "Blue Eyed Devil" was written, the musician says the "song isn't just a response to negative experiences but it's also kind of a tribute to him as well." Palicki, who wrote the song, was given a week by producer Rob Laidlaw to create a riff that would work with the lyrics. Although initially frustrated with not finding that perfect riff, Laidlaw and Palicki worked on tweaking the track resulting in a gem that oozes "very southern rock" while being "bluesy and a bit gritty."
 
"Blue Eyed Devil," written by Stefan Palicki, Kelly Palicki, and Laidlaw, wastes little time delivering a big, robust sound and atmosphere. From the opening 15 seconds, you know this single is going to deliver and deliver in spades thanks to Palicki's confident but beefy approach on guitar, while the drum steadies the course for a musical path groups like Big Sugar and Big Wreck have made careers from. Palicki hits the chorus perfectly as he describes the "Blue Eyed Devil" which is surrounded by saints. If you're not moving some limb, nodding your head, or doing your best air guitar listening to this, check your pulse.
 
Palicki worked with Adam Newcomb at The Chalet, who mixed "Blue Eyed Devil." But recording was a bit of a challenge during the pandemic as often one of Palicki, Laidlaw, or Newcomb was under the weather, preventing any progress on the song. Fortunately, the song was released, and audiences and fans of beefy, blues-tinged rock are better off for it.
 
Palicki first became interested in music not from picking up an instrument but from the BBC television series Top Gear and seeing host James May drive a Bugatti Veyron at maximum speed. Although not quite music-related, Palicki discovered May had a degree in piano, which sent Palicki off on his musical odyssey. After six years of the Royal Conservatory of Music's piano instruction, Palicki earned his seventh level with first class honors. Around the same time, Palicki began guitar lessons, leaving the piano for the love of another instrument. His influences range from the late greats like B.B. King, Stevie Ray Vaughan, Jimi Hendrix and Gary Moore to Jimmy Page and more modern blues guitarists including John Mayer.
 
After playing in school bands and playing a variety of horns in high school (saxophone, trumpet, trombone) as well as bass and percussion, Palicki graduated high school with honors and received a music award. Performing around the Durham Region of Ontario including spots in Ajax and Oshawa and developing his name as a quality guitarist, Palicki released his debut EP of original material produced by Rob Laidlaw.
 
Now with the "Blue Eyed Devil" musically resembling a bull in a China shop, Stefan Palicki is intent on taking the bull by the horns with this fantastic, finely tuned track. Saying it straight, "Blue Eyed Devil" is a song that will put Stefan Palicki on the Canadian and international blues rock map.

Tuesday, February 18, 2025

Andy Plews



Andy Plews is a songwriter based in Brooklyn who is creating a body of work that makes him happy and reflects a journey that's taken him from Scottish roots and early years in the North of England to New York City. His first album, The Macclesfield Years reflects his broad influences and tells a range of diverse stories, real and imagined. Growing up in, and leaving behind his hometown; an ode to a friend who experienced a broken neck; Return Ticket, the true story of a suffragette; a Japanese Fable that is just that and no more; and 10-Advil Day, a cautionary tale of love, loss and Ibuprofen. Andy collaborates with a range of artists including his old friend in Scotland Pete Rawlinson, and the emerging NYC producer Marco Lamas. Andy takes a meticulous approach to his song arrangements and works with some of the most talented young session musicians in New York. 

In its review of 10 Advil Day, the music blog Expansion Radial notes: “It’s like reading a personal journal filled with pages of pain, regret and acceptance. He has managed to capture those difficult moments in life with an honesty that is moving. If you are looking for a song that combines rock with a touch of country and blues, press play and let this story envelop you” Andy is currently crafting a follow-up album and plans to release a new single early in 2025.

Wednesday, February 12, 2025

Jazz/Blues Performer Tanya Wills Hopeful With "Someone To Love" From Forthcoming Album She




The global pandemic was costly in terms of lives, misery and missed opportunities for all ages. For some in the early chapters of their lives, it was a lost attempt at having a crush during junior high, the excitement emanating from high school dances and proms or finding romance in university. But Toronto-based blues/jazz chanteuse Tanya Wills has encapsulated that feeling of youthful optimism for finding love in such hard, challenging times with her latest single, the serene and stylish "Someone To Love" from her forthcoming solo album She.
 
Wills says "Someone To Love" originated while, like most of the world, she was isolated and went for a run near her home of Brighton, Ontario in the midst of the angst, turmoil and continual public restrictions. "'Someone To Love' is a song that began its life during the pandemic," she says. "I thought about the impact this would have on the young people, missing out on the important social moments. We all experienced the loneliness of that time, not knowing how it would end, but for the young lovers - or those wanting to fall in love - it might have seemed particularly bleak. And so, this song is about holding on to the hope and a dream...of love."
 
Like most strong jazz ballads, Wills' light and delicate delivery works tremendously well with guitarist Bill Bridges' sparse but inviting accompaniment. Bridges, who Wills describes as her "constant touchstone and mentor," helps fuel the mood and atmosphere instantly. It's a lovely, hushed and heartwarming blueprint for an enjoyable listen. Meanwhile, drummer/percussionist Kevin Coady and bassist Ron Johnston keep things gliding alongside Wills' earnest approach. "Someone To Love" would fall in line with material by the likes of Diana Krall, Cassandra Wilson and Joni Mitchell.
 
The song epitomizes the dreams of a woman finding her perfect partner who offers her a night on the town and figuratively sweeps her off her feet. She isn't sure who that man is, or when she will meet that man of her dreams. But she's steadfast in believing he's out there somewhere.
 
Somehow her heart knows the answer -- when destiny and chance meet one moonlight night
Before her a wondrous sight -- her someone to love.
'Til then her dreams are her own, but she's not alone --
She hopes he's watching the stars above...
Her someone to love.
 
Wills, who is extremely busy fronting the Tanya Wills Quartet featuring Bridges, Coady and Johnston, also performs as part of the Wintergarten Orchestra who regularly play in and around the Greater Toronto Area, a Cabaret-ish show featuring material from the 1920's and 1930's. It's a far cry from one of her previous occupations as an Ontario Provincial Police officer for a decade. But judging by "Someone To Love" musical creations and not police investigations seemed more in line with her destiny.
 
The performer, who released the singles "Rewind" in 2023 and "Ça s'est arrangé" in April, 2024, now looks to grow her blossoming fan base even more with her new single "Someone To Love." The performer's music, to steal a word from the latest single, is simply wondrous.

Wednesday, February 5, 2025

Calgary Soul/Blues Powerhouse OLLEE OWENS New Album ‘Nowhere to Hide’ Is Out Now

 


Canadian soul/blues powerhouse singer Ollee Owens releases her new album, Nowhere to Hide, today through her Ollee Owens Music label imprint.
 
Produced by Bobby Blazier, the music on Nowhere to Hide is also graced by the presence of Muscle Shoals all-star guitarist Will McFarlane on eight of the album’s eleven tracks.  
 
“The writing of ‘Some Days’ came out of a desire to acknowledge the ups and downs of our day-to-day experiences and at the same time call out the resilience of the human spirit no matter what we come up against,” Owens says. “Sonically, we imagined it as a blues-infused song that leaves the listener feeling happy. It was recorded in Nashville with some of the best session musicians in Music City: Chris Rodriguez, Craig Young, Bobby Blazier, and DeMarco Johnson. The energy in the room that day was palpable as the song began to take shape, capturing exactly what I heard in my head when we wrote the song, resulting in a soulful and hope-filled anthem.”
 
After returning to music a decade ago and releasing 2022's Cannot Be Unheard, the Calgary-based blues/rock singer is better than ever with her latest dazzling, down-to-earth studio album Nowhere to Hide. It's one teeming with stylish, sophisticated jewels mined from blues, rock, and soul.
 
Nowhere to Hide features eight co-writing credits by Owens and a few covers, including Bob Dylan's "Lord Protect My Child." Whether it's Owens' confident delivery fueling the driving title track, the infectious "Some Days," or the deliciously well-crafted "Shivers and Butterflies," Owens is as dynamic as the eleven-track album is flawless.
 
"I learned so much," Owens says of the creative process, "especially, vocally, as there was real opportunity to dig deeper and embody the lyrics."
 
Nowhere to Hide, recorded at Nashville's Sweetbriar Studio and Gnome Studios, shines with help from a who's who of acclaimed Nashville session musicians Blazier brought to the album. "Bobby has an incredible ability to bring people together," Owens says of Blazier. "We all got in the studio together, gave it everything we got, and made some great music."
 
That great music derives from Owens' backstory in the farming community of New Bothwell, Manitoba. As a teen, she gravitated toward Dylan, Delta Blues, The Staple Singers, and Etta James. "When I came back to creating music, I really realized the depth and influence that particular style of music had on me," Owens says of her early listening habits.
 
Owens and her husband started their family early and had three daughters, one of whom has a cognitive disability. After some soul-searching, and realizing her daughter had exceptional needs, she took a hiatus from music. "I focused on being present and engaged for my daughters," she says.
 
As a result, "Lord Protect My Child" strikes an emotional chord as Owens pours her soul into it. "That song has really become close to my heart," she says. "My daughter is twenty-three now, but there's still a lot of vulnerability there. The desire for protecting and taking care of her will never go away."
 
Owens will be playing a Canadian concert in October celebrating the release of Nowhere to Hide and has plans for further touring in the spring. She's also performed at the Roots Blues and BBQ Festival in Drumheller, Alberta, and Calgary's National Music Centre, among several other venues.
 
Now with Nowhere to Hide, Owens will have a larger fan base thanks to an amazing album you would be wise to experience wherever you get your music.