North Carolina native Alex Blum delivers a heady, genre-bending statement with his latest single, “Believe Everything You Hear About Me”—an
introspective, blues-soaked odyssey that sits somewhere between
confessional and cosmic, wrapped in gritty guitars and minimalist
electronic production.
Now streaming everywhere, the track is a standout from Blum’s 2025 album Good Weather,
a self-produced tour through blues-rock terrain with detours into
hip-hop, ambient, and progressive sonic realms. Built from the ground up
with Blum on guitar, vocals, harmonica, drums, keys, and production,
“Believe Everything You Hear About Me” is equal parts confrontation and
transcendence.
“It’s
a song about things people say about each other,” Blum writes. “On one
level, you know it’s in your power not to let other people’s lies affect
you. But at the same time, your life is very much affected by them no
matter what you do.”
The song reads like a modern-day blues diss track without names, biting with sarcasm:
“So
believe everything you hear about me / And make sure you ask for
details too / And go take all your authority / And go make it true.”
The
track’s psychedelic guitar solo—layered with delay in the spirit of
Eddie Hazel’s “Maggot Brain” and John Frusciante’s whammy-warped
leads—anchors the emotional surge. “It’s not quite rock music because of
the electronics, and not quite electronic music either because it’s
mostly driven by the playing,” Blum explains. “But overall the song
still feels bluesy.”
This duality defines Good Weather, the follow-up to Blum’s fast-tracked blues LP Speak Dreams to Me.
It’s a cohesive yet eclectic body of work that threads together his
diverse catalogue: from traditional blues and instrumental guitar EPs to
danceable beats, ambient textures, and even a rap mixtape. Still, it
always returns to what matters most: the guitar and the message.
Blum’s
music, rooted in Chapel Hill and forged from late-night Asheville
sidewalks and solo studio sessions, is soaked in authenticity and
unfiltered expression. A line cook by day and a sonic architect by
night, he brings the same raw energy to the studio as he once brought to
the streets of Asheville and Nashville, busking with an amp and an
idea.
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